78,278% Sales Rank in Video: 65 (was 50,946 yesterday) 
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43 days in the top 100 
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(42)If you want some morality tossed lightly with education in the videos your children watch, then this is a series for you. These Christian vegetables with a hip sensibility (sample dialogue: "You are so early-'90s.") play out a Batman-meets-Back to the Future scenario when a young asparagus tells his dad a lie to get out of trouble. That lie, embodied by a space alien, grows until it threatens the entire vegetable village, provoking Larry the Cucumber to heed the signal in the sky and hop into his flying Larrymobile designed by the eccentric and fallible inventor Alfred Asparagus. Action, music, and a Jerry-Springer-style deconstruction at the end with a blink-and-you-missed-it reference to God make for a half hour of involving and wholesome entertainment. --Kimberly Heinrichs Read more
2 days in the top 100 
(198)A Walt Disney Masterpiece Movie. The hunchback of Notre Dame is a movie enjoyed both by the young and old. In plastic protective case.The misconception about this animated film from Disney was that it was a movie for kids--something Victor Hugo never had in mind. In fact, despite a cute brace of singing gargoyles who are Quasimodo's (Tom Hulce) best friends, this version of Hugo's classic tale is really adult entertainment, with a strong set of songs by Alan Menken. The story remains mostly the same (though tricked out with a happier ending than Hugo's): Quasimodo, the ward of repressive monk Frollo, falls for a gypsy girl named Esmerelda (Demi Moore)--though she loves one of the king's guards (Kevin Kline). But they are all put in jeopardy by the wicked Frollo, whose secret passion for Esmerelda leads him to seek her death. At times too dark and even a shade kinky, something that may scare younger viewers. --Marshall Fine Read more
(20)A poignant and moving story about two emotionally disturbed teenagers who fall in love in an institution. Read more
44,723% Sales Rank in Video: 42 (was 18,826 yesterday) (4)
17 days in the top 100 
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69,422% Sales Rank in Video: 196 (was 136,264 yesterday) This video teaches sailboat owners and charteres how to manuever their boats safely in the marina where most accidents happen and how the crew works together to accomplish good landings and departures from docks and slips. Related knots and methods for securing a large yacht are covered. Also engine operation. Perfect for a skipper to show a novice crew before cruising. From Western Media Products. (This is the VHS version. See also DVD version on Amazon.) ---------- "For a new person to the sport of sailing, Sailboat Handling Under Power and Sailboat Systems were excellent educational tools." -- Steve and Vicki Babylon, Blue Sea 41 Read more
50,596% Sales Rank in Video: 334 (was 169,327 yesterday) A defected KGB agent is about to deliver a floppy disc to the CIA but he is killed and the disc is stolen by notorious arms and drug dealer Michael LeWinter (David Carradine). LeWinter wants ten million dollars for it and the CIA has no choice but to pay! A sexy young field operative of the CIA, Kim Brown (Camilla Lunden) is supposed to bring the cash to LeWinter - but she and her girlfriends have a plan of their own. Read more
49,948% Sales Rank in Video: 337 (was 168,662 yesterday) VIDEO TOUR OF 1946 Read more
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29,471% Sales Rank in Video: 14 (was 4,140 yesterday) VHS VIDEO! The Firm - Total Body Aerobic Workout With Weights: Body Sculpting Basics with Susan Harris! Interval workouts incorporate a variety of activities that are powerful and short in duration. These intervals create an anaerobic workout that forces the body to adjust to variations of intensity and motion. Interval training has the real potential to burn fat and build strength. The Firm: Body Sculpting Basics utilizes these same aerobic and anaerobic components to create a 60-minute workout that promotes strength and stamina. Instructor Susan Harris presents simple dance-style aerobic combinations and weightlifting techniques that are sure to make you break a sweat. This video is somewhat dated (lots of '80s-style leg warmers and traditional dance aerobic movements), but the content is so stellar that it would more appropriately be coined as a fitness classic. Pliés, squats, and split-leg lunges work the major muscles of the lower body, while lateral raises, curls, and push-ups concentrate on the upper body. Light weights (5 to 8 pounds) are used throughout this workout, and a set of ankle weights may be helpful if you are looking for a challenge. Cueing comes quickly and Harris does not give much information on form or body alignment. Therefore, beginners should watch the informational portion of this video (the segment immediately before the workout) in order to train as confidently and safely as possible. This is a brilliantly designed program that merges weight training and cardio in an effective and approachable (not to mention quick) package. --Olivia Voigts Read more
How To Enhance Your Husband's Retirement - 86 min; Rural Retreat - 86 min; Read more
1506 days in the top 100 (68)Richard Simmons is the king of motivational exercise, especially if you're a beginner. This video workout is a dance party simulating a class reunion, with an energizing live band playing lively hits from the '50s and '60s, such as "It's My Party and I'll Cry If I Want To," "Great Balls of Fire," and "Dancing in the Streets." The singers and musicians sometimes come offstage and dance with the exercisers, adding to the energy and festivity. The choreography is very simple, low impact, light intensity, and appropriate for beginners and overweight exercisers. (You may not get your heart rate up if you're very fit, although you'll enjoy the music.) Richard doesn't do much in the way of cueing--he assumes you'll just follow along. His onscreen class has women and men of all body shapes and sizes, and everyone is having a blast. You will, too. At the end, the exercisers dance down the floor and the screen flashes how many pounds they've lost--several have lost more than 100 pounds. (22 minutes of aerobics, total 43 minutes with warm-up, cool down, and stretch.) --Joan Price Read more
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28,357% Sales Rank in Video: 115 (was 32,726 yesterday) (48)Spencer Tracy won an Oscar for his portrayal of Father Flanagan, who opens Boys Town and dedicates himself to helping juvenile delinquents go straight. Mickey Rooney plays one of the tougher kids, figuring out early on that Flanagan is nobody's fool. Warmhearted and inspiring, the film's inevitable sentimentality is nicely cut by Tracy's performance and a smart script by Eleanore Griffin and Dore Schary (who also won Oscars). A good film for all ages, directed by Norman Taurog (Adventures of Tom Sawyer). --Tom Keogh Read more
50,486% Sales Rank in Video: 134 (was 67,786 yesterday) (1)
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(171)A surprise hit in America, this 1994 Australian comedy is anchored by Terence Stamp as a transsexual who, in the company of two drag queens, travels to a remote desert location to put on a lip-synch performance--to the amazement of the locals. Getting there on a pink bus named Priscilla, the trio stop and play for people all over the Outback, getting the same homophobic, bewildered responses. The weak link in the film is dialogue that seems to have been pulled from "Queer Movie Banter for Dummies," all bitchy and cliché-ridden but fortunately salvaged by strong acting. The most fun comes whenever the three are performing; fans of Abba will be particularly pleased. --Tom Keogh
The Adventures of Priscilla Queen of the Desert Extras
 Watch Director Stephan Elliot talk about the film's iconic costumes. |
An Interview with Priscilla Costume Designer Tim Chappel
 How much of costume design is your own inspiration / how much is inspired by the character?I rarely have creative free reign like I had on Priscilla. Priscilla was one of those rare situations where the powers that be said "Go for it". The characters are my babies. All design is meant to build character and help move the story along. Fortunately Mitzi, Felacia, and Bernardette were outrageous drag queens so that was not only easy bit great fun. Hard as it may seem, there are nuances that aren't obvious. For example when the queens are climbing Kings Canyon each of their headdresses are a distillation of their individual personalities. Bernardette is the Evil Queen, Mizti has lipsticks, rollers and pacifiers, and Felecia has Cupie dolls that are staring at themselves in little mirrors. What is the process of physically rendering the costumes? Do you build them by hand? Work with a team? Hit vintage stores? I usually begin by sketching roughs. Then once everyone has had their input - or cocked their leg as it seems more of the time, I do the finished sketches. These get signed off on literally becoming a visual contract. Then they get handed to the Costumier that builds a toile (a practice one). That gets fitted on the talent and we all um and ah--hopefully more ooh and ah if it's working well. Then we have a second fitting to perfect the fit and a final fitting to see the final project. On Priscilla however I simply grabbed whatever I had around or worked out which costume could be sacrificed and started gluing and sewing and hoping for the best. If something started to break there was always the hot glue gun and a handful of glitter to disguise any lumps and bumps. The costumes were literally finished when they would tear them out of my hands. Did any of the actors on Priscilla have any costume concerns? Was anyone concerned the costume would overpower their performance? The actors were all good sports. Terence told us he wanted to look like Holly Golightly but he soon gave up on that idea. He actually looked quite beautiful at times I thought. There was a moment at Kings Canyon when Terrence said that something was bothering his forward and I looked over to see a single drop of blood run down his brow--whoops, with only $12,000 US there was no room for comfort. What's the difference between cinematic fashion and street (real people) fashion? I.e., does it have to be "bigger" if it's on the screen? There are lots of differences between what you wear on the street, on stage, or in stills. Each medium requires special attention. For example in film you have to find out what kind of film stock is being used, what kind of filters and the general visual feel that the production designer and cinematographer are trying to go for. Of course the Director is trying to convey very specific ideas and using texture, color and contrast your job is to build, along with your team, that visual statement. The use of detail is also vital; sometimes you can't even see it but the actor will know its there and much detail, even though you can't literally see it, becomes absorbed in a more subconscious way. In your opinion, who looked the most beautiful (lead roles) in drag, who was the most fun to work with? They were all beauties. Guy Pearce had a background in musical theatre so he was prone to stealing the show. They were all great fun and still people I count as good friends. Any idea the film would take off to become an enormous hit and cult classic as well as meaning so much to fans around the world? We thought we were basically making a home movie; it wasn't until we had the 15-minute standing ovation at the Cannes Film Festival that we knew we had created a DRAG MONSTER! Where did you get the inspiration and know-how regarding costumes? Was there research involved? How did you get involved in doing this movie? I started with the music and let it send me in a delirious creative free fall and took notes as I spun. We got to have a buying trip to NYC in '92--WOW. I got to meet Girlina and Lasdy Bunny and all the voguing Queens--we were doing something totally different but Queens are trick everywhere aren't they. I got involved because Stephan needed a Costume designer who could do everything: design, sew and wear--if necessary. I was working as one of a pair of male backup dancers (an "earring") for a drag-queen troupe called Glamourworld. I used to make all our costumes and we were pretty successful. We even toured Asia going to Hong Kong, Shanghai and Ho Chi Mihn city--all on DragOn Air. How funny is that? What inspires you--what movies stand out to you as having great costumes? It all goes in and just comes out this way. I don't consciously look for inspiration. I like to think of myself as a creative distillery. If you could dress Oscar (of the Academy Awards) - what would you have him wear? My Oscar was on display in Australia's National Gallery in an Exhibition called "The Sights and Sounds of Australian Film." Oscar had purple hair and a disco tube dress. I butchered a Rock and Roll Barbie. She didn't seem to mind 'cause Oscar looked roool perty! |
Beyond The Adventures of Priscilla Queen of the Desert
 Cross-Dressing 101 |  The Adventures Of Priscilla, Queen Of The Desert: Original Motion Picture Soundtrack |  More from MGM |
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