J. Lee Thompson (Director) | Format: VHS Tape
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Charlie Chaplin is in glorious form in this legendary satire of the mechanized world. As a factory worker driven bonkers by the soulless momentum of work, Chaplin executes a series of slapstick routines around machines, including a memorable encounter with an automatic feeding apparatus. The pantomime is triumphant, but Chaplin also draws a lively relationship between the Tramp and a street gamine. She's played by Paulette Goddard, then Chaplin's wife and probably his best leading lady (here and in The Great Dictator). The film's theme gave the increasingly ambitious writer-director a chance to speak out about social issues, as well as indulging in the bittersweet quality of pathos that critics were already calling "Chaplinesque." In 1936, Chaplin was still holding out against spoken dialogue in films, but he did use a synchronized soundtrack of sound effects and his own music, a score that includes one of his most famous melodies, "Smile." And late in the film, Chaplin actually does speak--albeit in a garbled gibberish song, a rebuke to modern times in talking pictures. --Robert Horton Read more
From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith SimantonFrom the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton Read more
Reflecting an age of innocence and a time of wonder, no film better captures the pure magic of Disney than BAMBI -- the world's most endearing animated tale about the beauty of nature and the miracle of life. Nominated for three Academy Awards(R), this immortal blend of classic storytelling and unforgettable characters is most fondly remembered as Walt Disney's all-time favorite picture. As morning light breaks across the meadow, a new prince of the forest is born. Soon Bambi emerges from the thicket on wobbly legs, much to the delight of his new friends, Thumper, the playful rabbit, and Flower, the bashful yet lovable skunk. But the fun of skating on "stiff water," nibbling fresh blossoms, and frolicking through the woods is only the beginning. Exploring his new world, and guided by the wisdom of Friend Owl, Bambi learns valuable lessons with every adventure --experiencing love, loss, growth, and renewal along the way. Fully restored to its original theatrical splendor, this digitally remastered video edition of BAMBI can now take its place among your most cherished family keepsakes. Relive Disney's extraordinary movie masterpiece "filled with laughter and inspired animation!" (Time Magazine)It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton Read more
FernGully 2 - The Magical Rescue [VHS] Rated: G | Format: VHS Tape for the young and young at heartLife in FernGully, a 1,000-year-old rainforest, is idyllic for the woodland animals and two fairies named Crysta and Pips. Still, Pips longs to see the world beyond the forest. When two human poachers steal three baby animals under Crysta's care, Pips is quick to declare his intention to travel to "town" and rescue the stolen animals. A bat (appropriately named Batty) offers much doom-and-gloom advice against the trip, but eventually Pips and his band of Beetle Boys head to town with Batty in the lead. Crysta soon finds the poacher's abandoned dog and follows her friends to town in the hopes of returning the dog to his home. The group's first glimpses of town show a grimy dump and a sewer pipe dumping refuse into a local body of water. A carnival changes their perspective, offers a chance meeting with a young clown-in-training named Budgie, and distracts the group from their mission. Batty and the youngest Beetle Boy eventually locate the stolen animals, and, with help from the rest of the group, battle the evil poachers to win the animals' freedom. This 73-minute, animated musical is entertaining but somewhat lacking in excitement and drive. The film also lacks Robin Williams, who voiced Batty in the first film. The film's message comes across crystal clear--uncaring humans are destroying the rainforests without regard for the larger consequences of their actions. (Ages 3 to 8) --Tami Horiuchi Read more